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Der Mensch erscheint im Holozän

A visual poem after Max Frisch
Staging: Alexander Giesche

*** ​3sat award winner: 57. Berliner Theatertreffen ***
*** Nestroy Prize Winner: Best German Performance ***
*** Swiss Theatre Production 2020 ***

A mountain slides and someone loses their memory. Such is the reduced framework of Max Frisch's story Der Mensch erscheint im Holozän, which was published 40 years ago. Both, the protagonist Herr Geiser and the mountain gently drift into oblivion. The catastrophe lasts and beauty can be found in it. Under an almost tender gaze, the human being and dementia sufferer Mr. Geiser disappears in the narrative - and instead of the earth's mass, a self is slowly eroding here. Alexander Giesche's staging, which oscillates in its aesthetics between the virtual and the analog, between simulation and the all too real, makes the beauty of a catastrophe and its potential for healing palpable. And it poses the question of whether recognizing one's own finiteness might not also facilitate a new beginning.

 

5 June 2024, supporting program *Happy End Closing Festival*
18:30 Kick-off with a keynote by Nikolaj Schulz.
19:30 Der Mensch erscheint im Holozän. For the very last time.
21:00 Alexander Giesche x Nikolaj Schulz. Talk on the Pfauenbühne.

A ticket for Der Mensch erscheint im Holozän is also valid for the keynote and the talk.

 

Cast and Team

With
Karin
Pfammatter
With
Maximilian
Reichert
Set Design
Kostüme
Composition
Ludwig Abraham
Dramaturgy
Audience Development
Drama Teacher
Drama teacher assistant
Nadir Ak
Costume assistant
Set design assistant
Marie Hartung
Production assistant
Extra (Children)
Benjamin Bubica, Rosa Curi, Alexia Finocchiaro-Piu, Julia Kalberer, Matti Kramer, Cara Stäger
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Audio guide

Supported by Ars Rhenia
Mit Dank an Stone Island

Gallery

© Eike Walkenhorst

© Eike Walkenhorst

© Zoé Aubry

© Zoé Aubry

© Zoé Aubry

© Zoé Aubry

© Zoé Aubry

© Zoé Aubry

© Eike Walkenhorst

© Eike Walkenhorst

© Zoé Aubry

© Eike Walkenhorst

© Zoé Aubry

© Zoé Aubry

Trailer