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Zack. Eine Sinfonie. A solo evening featuring Wolfram Koch.

With texts by Daniil Charms
German by Beate Rausch and Alexander Nitzberg

"Actual reality can only be represented and achieved through new, absurd art." – Daniil Kharms

Daniil Kharms, born in 1905 in St. Petersburg, is regarded as a master of absurd miniatures and a brilliant humorist. His characters were once described by critic Helmut Schödel as "marionettes of nonsense" and "a feast for ingenious actors." In ZACK. EINE SINFONIE, director Jakob Fedler has found one of these ingenious performers in Wolfram Koch.

Wolfram Koch, one of Germany's most distinguished stage and screen actors, has appeared on all major stages and is well-known for his portrayal of Chief Inspector Paul Brix in the Frankfurt Tatort.

In this monologue, however, Koch steps into the role of an entertainer, a clown, a performer with a kazoo, who simply must play, dance, and make music. While his goal is to entertain and provoke laughter, Daniil Kharms' prose, poetry, scenes, and dialogues are always multilayered. Beneath the humor lies despair and the anguish of his characters. Alongside a Pushkin joke sits the horror of a totalitarian state.

Kharms' texts delve into the absurdities of life and the political realities of his time—realities that perhaps can only be confronted with a healthy dose of nonsense or laughter. After all, tragedy and comedy have always existed side by side.

Cast and Team

With
Wolfram
Koch
director
Jakob Fedler
Equipment
Dorien Thomsen

Guest performance in collaboration with the Théâtre National du Luxembourg and the Saarländisches Staatstheater Saarbrücken

Texts by Daniil Charms in the translation by Beate Rausch and Alexander Nitzberg from WERKE IN 4 BÄNDEN published by Galiani Berlin, 2010/2011.

Gallery

© Astrid Karger

© Astrid Karger

© Astrid Karger

© Astrid Karger

© Astrid Karger

© Astrid Karger

Press

«In rosa Rüschenhemd, violettem Glitzeranzug, gelegentlich entkleidet bis aufs Unterhemd und eine knielange rosa Rüschenunterhose, vollführt Koch das Kunststück eines 75-minütigen Monologs, der sich aus etlichen Charms-Miniaturen zusammensetzt: aus kurzen Szenen, Dialogen, Gedichten, Mini-Erzählungen. (…) Er vollführt Troddeltänze, deklamiert Dada-Gedichte, trötet leidenschaftlich in Trompetenkazoos, lässt die Armbeugen quietschen, wirft Konfetti, pumpt Perücken hoch. Aber im Kontext der vielen Charms-Texte wirkt das alles überhaupt nicht albern, sondern vielmehr sehr melancholisch.» Artikel lesen

nachtkritik.de (Verena Großkreutz, 14.1.2025)

«Staatliche Willkür, Gewalt und Brutalität lauern überall. Und Koch spielt das wunderbar. Nichts wird veralbert, nichts bleibt im blossen Slapstick stecken.» Artikel lesen

nachtkritik.de (Verena Großkreutz, 14.1.2025)